Today I am interviewing Cassandra Khaw, author of the new horror novella, Hammers on Bone.
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DJ: Hey Cassandra! Thanks for agreeing to do this interview!
For readers who aren’t familiar with you, could you tell us a little about yourself?
Cassandra Khaw: Hey! Glad you took the time out to interview me. Always feel fancy when someone decides I’m cool enough for that. Let’s see. I work business development for a micropublisher called Ysbryd Games. I really like chocolate. I am a lapsed journalist who has had the good fortune of seeing her byline appear in places like Engadget, The Verge, PC Gamer, and an assortment of other fabulous places. I really like reading.
My job involves me travelling a lot and that saps a ton of my energy. (You’d be amazed how exhausting sitting down for 20 hours can be, if it involves being claustrophobic and trapped in a metal can full of recycled farts.) When I can, however, I run, dance, and punch things.
DJ: What is Hammers on Bone about?
Cassandra: A ten-year-old boy asking a private investigator, who may or may not be a monster, to kill an abusive stepfather. Set in Croydon, it is both an experiment in Lovecraftian noir and also a discussion of domestic abuse, how readily invisible such things are, and how easily we mistake our neighbourhood monsters for something else.
DJ: What were some of your influences for Hammers on Bone?
Cassandra: Lavie Tidhar’s The Violent Century, Rin Chupeco’s The Suffering, ian Tregillis’ Something More Than Night, Victor LaValle’s The Ballad of Black Tom, John Carpenter’s The Thing. Loads of things. Continue reading