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Guest Post: Writing Through Hurricanes, Grumpy Spouses, And Maniacal Bosses: Finding Your Default Self by Edward Lazellari

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Born and raised in New York City, comic books were an important part of Edward’s youth and he spent many years working for Marvel Comics. He wrote his first professional story for Marvel Comics Presents starring Namorita (a.k.a. Kymaera) and illustrated the tale as well. After years as an illustrator, Edward returned to school to study English literature and creative writing at Rutgers.

His first published prose story, “The Date,” a dark comedy about a gigolo hired by conjoined twins, appeared in the October 1999 issue of Playboy magazine. This was an important boost to any budding writer’s confidence and contributed to his finishing his first novel, “Awakenings.” Edward has just completed the third book in the Guardians of Aandor series, “Blood of Ten Kings,” which is pending revisions.

His genre influences include: Stephen King, Roger Zelazny, Alan Moore, George R.R. Martin, Ann Rice, John Grisham, Neil Gaiman, J.K. Rowling, Philip K. Dick, Isaac Asimov, Jean M. Auel, Ben Bova, Arthur C. Clarke, Larry Niven, Frederick Pohl, Diana Gabaldon, Jim Butcher, and Glen Cook.

Literary influences include: William Shakespeare, John Steinbeck, Charles Dickens, Jonathan Franzen, J.R.R. Tolkien, Ayn Rand, Margaret Atwood, Jane Austin, Frank McCourt, Mary Shelley, John Irving, Aldous Huxley, Homer, Dante, and Voltaire.

Edward enjoys playing with his new baby daughter as well as his many hobbies such as poker, bike riding, playing softball, and pissing people off on social media through the use of rational thought and common sense.


Writing Through Hurricanes, Grumpy Spouses, And Maniacal Bosses: Finding Your Default Self

by Edward Lazellari

The universe is trying to keep you from your writing. It will throw all manner of distraction and chaos at you, and bind you with obligations–girlfriends who cry neglect, boyfriends who threaten to step out on your monogamy, bosses who insist that your not getting the work done in 40 hours is your fault not the workload. You will try to reason with the universe, work out a mutual arrangement where you borrow three hours here and two hours there to ply your craft; but the universe is a fickle bitch that knows full well you need uninterrupted blocks of time with which to craft your tales–time to let your story ferment and then time for revisions. You need a thousand hours to write two hundred decent pages. Lie back to the universe, steal the time you need, sacrifice personal pleasure and socializing, and then maybe…maybe, you will have a story of note at the end of the run. Continue reading

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