Today I am interviewing Alec Worley, author of the new science-fiction novel, Judge Anderson: Year One.
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DJ: Hey Alec! Thanks for agreeing to do this interview!
Alec Worley: Thanks for having me, DJ!
DJ: For readers who aren’t familiar with you, could you tell us a little about yourself?
Alec: I write comics for 2000 AD, as well as Teenage Mutant Ninja Turtles and Star Wars (both for younger readers). Fiction-wise, I’m currently writing stories for Black Library’s Warhammer series.
I’ve been writing professionally for about ten years now. I started out as a projectionist in the picture palaces and fleapits of London’s West End, before becoming a movie journalist and eventually got into comics through the slush pile at 2000 AD. Working under Tharg the Mighty, editor of the Glaxy’s Greatest Comic, I’ve written stories for Judge Dredd, Judge Anderson and Robo-Hunter, as well as two original series: the ‘spookpunk’ action-comedy Dandridge and the werewolf epic Age of the Wolf. I’m from Tooting in South London and for years I thought a ‘cream tea’ was tea with cream in it.
DJ: What is Judge Anderson: Year One about?
Alec: It’s a collection of three interlinked novellas (plus a bonus short story and rambling introduction) about the psychic Judge Anderson’s traumatic first year on the streets of Mega-City One. The first story, Heartbreaker, has her on the trail of a killer terrorizing the Big Meg’s most popular dating site ‘Meet Market’ (a cross between eHarmony and eBay); the second story, The Abyss, is way darker and sees her fighting to save her own sanity when she finds herself trapped inside a psychiatric prison following a botched breakout; the third story, A Dream of the Nevertime, is a mystical road trip in which she journeys into the bizarre wastes of the Cured Earth to find a cure for a psychedelic virus that threatens to destroy both her and the city.
DJ: What were some of your influences for Judge Anderson: Year One?
Alec: Movies like Silence of the Lambs, Manhunter, Die Hard, Haywire, and Red River, books like Stephen Hunter’s Point of Impact, Dirty White Boys and Black Light, Garth Ennis’s Punisher MAX series by Marvel, David Simon’s Homicide: A Year on the Killing Streets, and a bunch of critical essays by Stephen Hunter, Kim Newman and Marina Warner. Continue reading