Today I am interviewing Guy Adams, author of the new fantasy novellas, London Orbital, The Queen of Coney Island, and A City of Fools, the first three books of The Change series.
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DJ: Hey Guy! Thanks for agreeing to do this interview!
For readers who aren’t familiar with you, could you tell us a little about yourself?
Guy Adams: Always happy to talk to people. I’m a writer, it doesn’t happen often. Occasionally, when I’m dragged, screaming, into the light to meet actual human beings I forget how to use my mouth, hands uselessly twitching, trying to tap out a reply on my nonexistent keyboard. This is why, if you want to meet writers at parties, you should go and find the table with the food on it, you’ll find them underneath it, building a nest out of half-chewed breadsticks and old notebooks.
So, yes, Guy Adams. Me. I’m the author of a frankly ridiculous number of books, including the Clown Service series of weird spy novels from Del Rey UK, Deadbeat from Titan Books and The Heaven’s Gate trilogy from those lovely enablers at Solaris. I also write comics, mainly 2000AD although I also co-created Goldtiger with artist Jimmy Broxton.
For the last couple of years, The Change aside, I’ve mainly been writing scripts for Big Finish, a lovely company who make excellent audio dramas here in the UK. I’ve written hours and hours of Doctor Who, Blake’s 7, Torchwood and sundry other ranges. Nothing beats putting words into the mouth of the likes of David Tennant, Alex Kingston, Tom Baker, David Warner, Sir John Hurt, Sir Derek Jacobi… I’ve started writing a list, oh God… never start writing lists, they always get out of control. Suffice it to say I’ve been working with amazing people and having an amazing time.
DJ: What are the first three books and The Change series about?
Guy: The Change is far harder to explain than it is to experience – a fact that I can only imagine has driven my poor publicist to tears.
As a series it will view a potential extinction event globally. Imagine if The Walking Dead was actually several series all set in different locations with different characters, all facing the results of something terrible.
Like that. Sort of. But weirder, with no zombies and with more fun bits. And without characters just glowering at one another simmering like a pan of rice on the stove that someone has forgotten.
The Change itself is a moment in the early hours of a winter morning when creatures appeared above the world. Strange, Lovecraftian things. Creatures so unimaginable that looking at them was enough to kill you. It took six minutes to break the world. When they left, the world’s rules had changed. Reality has taken a beating and our cities and towns can now harbour the most impossible, terrifying and beautiful things.
It’s heavily inspired by the idea of psychogeography – a word my auto-correct refuses to acknowledge, such a joy when even my software becomes a critic. I love the notion that not only can we colour our environment but that it can colour us. Do buildings and streets hold on to the things that happened there? Do cities dream of their history? Do cities go mad?
Possibly not. But they do when I’m writing them. So my characters have to face a world where nightmare logic has taken the place of rational science. A creature made from a grotesque stew of machinery and flesh stalks the motorway surrounding London; New York’s Coney Island is alive with the dreams of the amusement parks that used to stand there; Paris is patrolled by The Impressionists, creatures made of paint. These are stories full of mad ideas sprayed all over the world in which we live.
The first three books are set in London, New York and Paris, the second three continue the adventures in London and New York (both ongoing narratives) and add a look at Tokyo.
Should the series continue beyond these first six books – which is entirely down to how many people jump onboard this strange idea of mine – I’ll continue the stories of my characters in London and New York and keep adding one-off books that look at other locations. Continue reading